1855 Knollcrest Circle SE, Grand Rapids, MI 49546-4402 USA

On the campus of Calvin University and Calvin Theological Seminary
© 2025 91ÁÔÆæ
A worship service from the 2021 online Calvin Symposium on 91ÁÔÆæ.
Institution Name:
Participants:
Sopranos: Mercedes Mazzino, Joanna Seguel
Altos: Paula Tabernaverry, Constanza Bongarrá
Tenors: Maico H’siao, Adrián Herrera, Nicolás Tizzano
Bass: Jonatan EspÃnola
Samy Mielgo: Guitar, acoustic bass, bombo
Gastón Puga: Flute, bombo, cajon, and cuera de tambores
Hernán Drisner: Electric Guitar and acoustic bass
Marcelo Villanueva: guitarra de 7 cuerdas, Ronroco, and cuerda de tambores
Words of Blessing and Prayer: Tomás Mackey and Viviana Barrón
Directors: Constanza Bongarrá and Marcelo Villanueva
Location: Buenos Aires
Copyrights:
“â€
Text: Psalteriolum Cantionum Catholicarum, Köln, 1710; English tr. composite; Spansih tr. vss. 1, 2, 4, 7, Federico J. Pagura, 1923-2016, © 1962; vss.
3, 6, Dimas Planas-Belfort, 1934-1992, © 2012 Editorial Avance Luterano
Music: French Processional, 15th century; arr. Constanza Bongarrá
“Hemos venido / We’ve Comeâ€
Text and Music: Marcelo A. Villanueva
Used by permission.
“â€
Text: Based on Psalm 118; Pablo D. Sosa, 1933-2019; tr. by Mary Louise Bringle, b. 1953; © 1983; tr. © 2006, 2019 GIA Publications;
Music: Pablo D. Sosa, 1933-2019 © 1983 GIA Publications, Inc.; arr. Samy Mielgo
All rights reserved. OneLicense.net A-703303.
“â€
Text: Federico J. Pagura, 1923-2016, adapt. ©; tr. by Mary Louise Bringle, b. 1953, © 2012 GIA Publications, Inc.
Music: Homero R. Perera, alt. © 1983
All rights reserved. OneLicense.net A-703303.
“â€
Text: Inspired by Romans 12:21; Carlos Colón, b. 1966; tr. by Greg Scheer, b. 1966
Music: Carlos Colón, b. 1966
© 2014 Birnamwood Publications, a section of MorningStar Music Publishers, Inc.
All rights reserved. OneLicense.net A-703303.
“â€
Text and Music: Pablo D. Sosa, 1933-2019 © 1958 GIA Publications, Inc.; arr. Gastón Puga
All rights reserved. OneLicense.net A-703303.
The last few minutes of corporate worship are critical because they frame the entire purpose of worship and its connection to our lives in the world.
Explore how Christians in the earliest centuries of Christianity engaged topics related to wealth and poverty in their preaching, public prayers, offerings, celebrations of baptism and the Lord’s Supper, and the shaping of buildings and spaces for Christian worship.
How did early Christians understand their illness and pain in their Greco-Roman context?
The last few minutes of corporate worship are critical because they frame the entire purpose of worship and its connection to our lives in the world.
Explore how Christians in the earliest centuries of Christianity engaged topics related to wealth and poverty in their preaching, public prayers, offerings, celebrations of baptism and the Lord’s Supper, and the shaping of buildings and spaces for Christian worship.
How did early Christians understand their illness and pain in their Greco-Roman context?
Pastors of three Hispanic churches will share what they learned from experiences implementing congregational projects related to the development of new understandings and practices of worship and preaching.
