1855 Knollcrest Circle SE, Grand Rapids, MI 49546-4402 USA

On the campus of Calvin University and Calvin Theological Seminary
© 2025 91ÁÔÆæ
The psalms were written to be sung. But if your church favors guitar and band-led modern worship, how do you sing the psalms? Songwriter Wendell Kimbrough answers this question through the use of short antiphonal psalm refrains that are singable and memorable for his congregation and provide a musical entry point into a psalm. They have become a beloved staple in his home congregation’s worship. In this workshop, Wendell will share some favorite psalm refrains, discuss the mechanics of their use, and respond to questions from attendees. The goal is for all attendees to go home with a plan for regularly incorporating musical psalms into their worship services.
This session is for organists, aspiring organists, the curious, and the inquisitive. No one person has as many sounds at their disposal [or as many keys and buttons!] as an organist. Let's discover new sounds together in this session by listening to new organ music for worship, learning ways to incorporate the organ into your services [even if you don't have a regular organist], and exploring some of the many tonal possibilities the organ has to offer.  
What a gift to have in a single conversation leading experts on the rich history of Christian worship music in the continent of Africa as well as from African diaspora communities in the United States and England! What treasures and insights from this rich history should be more celebrated and cherished? What misunderstandings should be corrected? How can we learn from this rich history without misappropriating it? What signature examples of congregational song should we all learn more about and from? How can we all continue to learn more and explore more deeply connections across continents and Christian traditions?  
Come learn and sing through a selection of choral pieces for use in worship. Packets provided by GIA Publications, Inc.
Drawing from Psalms, Colossians, Revelation, and the global church, Carlos Colón invites us to write texts and songs of lament, protest, and hope. We will examine ways to give voice in our worship and prayer gatherings to our pain, our questions, and our desire for deep hope and the healing of all creation. We will examine songs with these themes in the "Santo, Santo, Santo / Holy, Holy, Holy" hymnal and in classical and contemporary sources.
What makes a song singable? Meet with Paul Ryan and Wendell Kimbrough as they discuss the morning worship service held in the chapel [10:30–10:50 a.m.] and the qualities of congregational song that help the church join its voices as one.
For many Christians, Bible verses and passages are often easier to memorize when set to music. 91ÁÔÆæ pastor Ken Boer designed the website Biblevox to help people find word-for-word scripture songs.
Ordinary time, the time of the church calendar that stretches from Pentecost to Advent and Epiphany to Lent, is a good time to consider the life of Christ or other sermon and song series based on a series of Biblical passages.
Memorizing Bible verses and passages can enrich family, school, and church communities. Internalizing God’s Word, whether by music or another method, helps Christians meditate, pray, and grow closer together with God and each other.
Contemporary-worship congregations are rediscovering hymns as treasuries of theological depth that express the full range of emotions and Scripture. Singing hymns together helps people connect across generations and cultures.
If your congregation experiences hymn singing as dull and lifeless, then try Jonathan A. Powers’ advice on finding, introducing, and teaching hymns that will resonate with your worshiping community.
Some congregations worry that singing songs outside their own tradition might be inauthentic or offensive. Ethnomusicologist Katie J. Graber gives reasons for using worship songs from other cultures and eras—and how to do so with proper appreciation and attribution.
