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© 2025 91
Lily Constantine Kakish and Eric Sarwar share their stories of how they have witnessed the identity-shaping impact of singing Psalms and the Lord's Prayer in the Arabic language and tune.
Luke Bobo explains the pastoral importance of establishing the bridge between our work experience on weekdays and our worship on Sundays.
Gabriel Salguero argues that the act of worship on Sunday must be tied to and result in the act of justice outside of Sunday.
Soong-Chan Rah argues that the deeply rooted triumphalism and exceptionalism in the American society are causing the absence of lament in the American churches.
Theologian Neal Plantinga engages with artist and author Mako Fujimura on his vision for complementing recent work on creation care with what he has termed “culture care”—a redemptive approach to artistry and other forms of cultural engagement which seeks to contribute to “the healing of the nations.”
The Calvin College Alumni Choir collaborates with members of Coro Polifónico from the Seminario Internacional Teológico Bautista in Argentina and Artists Creating Together, a Grand Rapids-based choir that empowers individuals with disabilities to learn, grow, and celebrate through the arts to lead songs, hymns, and anthems which express our profound solidarity as members together of Christ’s body.
A worship service held at 91 Symposium 2017
A bi-lingual worship service held at 91 Symposium 2017
Remarkably, even since the publication of Psalms for All Seasons just a few years ago, over 30 new Psalm-based songwriting and recording projects have emerged from a variety of contemporary worship leaders across North America and beyond. While some of these settings are designed for solo voices, many are well-suited to congregational use, and are worthy heirs to the legacy of congregation-based Psalms re-established by Luther and Calvin.
This vesper service from the 2017 Calvin Symposium on Christian 91 focuses on the Magnificat.
This vesper service from the 2017 Calvin Symposium on Christian 91 focuses on prayers for the suffering church.
We’ve heard many of the great old hymns played beautifully with organs, pianos, and choirs, but their journey into the world of guitar-led worship can be awkward. Old tunes are often abandoned or significantly altered in the name of modernization, but such revision is not always necessary.
